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Below you will find brochures with further pieces from our collection.

A key aspect of Albrecht Schäfer’s work is his exploration and use of space. His installations are not just stand-alone artworks; they also draw in and on the surrounding area. His “Kronleuchter” [Chandelier], on display in the foyer of the Bundesbank’s branch in Berlin, stretches the length and breadth of two floors.

The relationship between nature and culture plays a key role in Tony Cragg’s work. He wants to create objects ‘that exist neither in nature nor in our functional world’. To this end he uses a wide range of natural and industrially manufactured materials.

Alf Lechner’s sculptures are defined by his choice of material – steel. He works virtually exclusively with this material, creating works which often weigh hundreds of kilos. The monumental steel forms are stamped, pressed, broken, cut and rolled into shape during the production process according to his precise specifications.

I dream of a social art, wrote Victor Vasarely as early as 1953 in his “Notes Brutes” [Rough notes]. The crowds, the masses, a multitude of beings, this is the new dimension. See the unlimited space, the truth of structures. Art is the plastic aspect of the community.

His pictures and sculptures are the perfect symbiosis of beauty and rationality. Just about every work that Max Bill produced can be deciphered as a verifiable solution to a mathematical problem, without becoming overladen with meaning.