General Search
Multiple search words are automatically linked with "AND". Text enclosed in quotation marks (") returns only the pages in which this text occurs exactly. With the search filters next to the results you have the possibility to further limit your search.
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Fit and proper assessments
The members of the management board and of the administrative or supervisory board as well as key function holders must possess sufficient knowledge, skills and experience, be of good repute and also commit sufficient time to the performance of their duties.
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Customer Access Mechanism – Individual (CAM-Individual)
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Karl Hofer, The contemplative woman, 1936
Even though it was created in 1936, from today’s perspective "Die Sinnende" [The contemplative woman] appears as if the huge dislocations of the following decade were already being depicted in the portrait of this young woman
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Rupprecht Geiger, 429/65, 1965
A picture by Rupprecht Geiger provokes an immediate response: the force of the colour is well-nigh overpowering. This shade of red, which the artist intersperses time and again with hints of pink or orange, triggers associations of peril and passion.
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K. O. Götz, Jan 1955, 1955
Karl Otto Götz, the only German member of the international COBRA group, was one of the few artists who attempted to provide theoretical underpinning and gain public attention for the abstract gestural painting of the post-war period.
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Tony Cragg, Boulders, 1992
The relationship between nature and culture plays a key role in Tony Cragg’s work. He wants to create objects ‘that exist neither in nature nor in our functional world’. To this end he uses a wide range of natural and industrially manufactured materials.
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Horst Antes, Head 73, 1973
There is no mistaking the heads of Horst Antes. Their stark profile and, above all, their schematic stylisation have become the artist’s trademark. They appear in Antes’ paintings as Kopffüssler [Head-and-foot figures] or in public spaces as large-scale steel sculptures.
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Alf Lechner, Circle within a semi-circle, 1991
Alf Lechner’s sculptures are defined by his choice of material – steel. He works virtually exclusively with this material, creating works which often weigh hundreds of kilos. The monumental steel forms are stamped, pressed, broken, cut and rolled into shape during the production process according to his precise specifications.
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Victor Vasarely and Yvaral, Interior design for dining room, 1972
I dream of a social art
, wrote Victor Vasarely as early as 1953 in his “Notes Brutes” [Rough notes].The crowds, the masses, a multitude of beings, this is the new dimension. See the unlimited space, the truth of structures. Art is the plastic aspect of the community.