There is no mistaking the heads of Horst Antes. Their stark profile and, above all, their schematic stylisation have become the artist’s trademark. They appear in Antes’ paintings as Kopffüssler [Head-and-foot figures] or in public spaces as large-scale steel sculptures.

Each exhibition in the series "Perspektiven der Gegenwart" [Contemporary Perspectives] is accompanied by a brochure containing an introductory text in German on the artists' oeuvre and numerous illustrations of selected works.

The Research Data and Service Centre regularly matches Bundesbank company data to enable researchers to use linked microdata on companies (subject to approval of the respective research project).

Mondrian’s later works – The Victory Boogie Woogie – those lights! That is where we see vibration being incorporated into painting for the first time. It seemed to me […] that he was on the verge of bringing a visual motion into the picture, wrote the Venezuelan artist Jesús Rafael Soto, who lived and worked in Paris.

I dream of a social art, wrote Victor Vasarely as early as 1953 in his “Notes Brutes” [Rough notes]. The crowds, the masses, a multitude of beings, this is the new dimension. See the unlimited space, the truth of structures. Art is the plastic aspect of the community.

Even though it was created in 1936, from today’s perspective "Die Sinnende" [The contemplative woman] appears as if the huge dislocations of the following decade were already being depicted in the portrait of this young woman

Das Emissionsvolumen am deutschen Rentenmarkt belief sich im Juni 2023 auf brutto 168,7 Mrd € (Vormonat: 168,8 Mrd €). Nach Abzug der Tilgungen und unter Berücksichtigung der Eigenbestandsveränderungen der Emittenten wurden inländische Schuldverschreibungen für netto 22,9 Mrd € begeben.

Germany’s current account posted a surplus of €29.6 billion in June 2023, up €21.4 billion on the previous month’s level. This was because invisible current transactions, which comprise services as well as primary and secondary income, switched to a surplus, and there was a larger surplus on the goods account. 

The relationship between nature and culture plays a key role in Tony Cragg’s work. He wants to create objects ‘that exist neither in nature nor in our functional world’. To this end he uses a wide range of natural and industrially manufactured materials.

A young woman with her dog looks out, keenly and slightly provocatively, from the sketched frame of a locket. Clearly based on a photograph, the portrait appears artificial and as from another age, mainly as a result of the distortion of colours.