I dream of a social art, wrote Victor Vasarely as early as 1953 in his “Notes Brutes” [Rough notes]. The crowds, the masses, a multitude of beings, this is the new dimension. See the unlimited space, the truth of structures. Art is the plastic aspect of the community.

Each exhibition in the series "Perspektiven der Gegenwart" [Contemporary Perspectives] is accompanied by a brochure containing an introductory text in German on the artists' oeuvre and numerous illustrations of selected works.

Even though it was created in 1936, from today’s perspective "Die Sinnende" [The contemplative woman] appears as if the huge dislocations of the following decade were already being depicted in the portrait of this young woman

A picture by Rupprecht Geiger provokes an immediate response: the force of the colour is well-nigh overpowering. This shade of red, which the artist intersperses time and again with hints of pink or orange, triggers associations of peril and passion.

His pictures and sculptures are the perfect symbiosis of beauty and rationality. Just about every work that Max Bill produced can be deciphered as a verifiable solution to a mathematical problem, without becoming overladen with meaning.

A red figure is firmly ensconced on the forecourt of the Bundesbank’s Oldenburg branch. Like an oversized marionette, it sits in the centre of a four-part sculpture series by Bogomir Ecker which extends inside the building.

Das Emissionsvolumen am deutschen Rentenmarkt belief sich im Juni 2023 auf brutto 168,7 Mrd € (Vormonat: 168,8 Mrd €). Nach Abzug der Tilgungen und unter Berücksichtigung der Eigenbestandsveränderungen der Emittenten wurden inländische Schuldverschreibungen für netto 22,9 Mrd € begeben.