General Search
Multiple search words are automatically linked with "AND". Text enclosed in quotation marks (") returns only the pages in which this text occurs exactly. With the search filters next to the results you have the possibility to further limit your search.
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Methodology and quality External sector
on the subject of External sector
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Gezielte längerfristige Refinanzierungsgeschäfte I (GLRG-I)
No English translation available
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Harmonisation and comparability within the European context
The European System of Accounts (ESA) 2010 is the EU’s framework for compiling key macroeconomic statistics, such as the national accounts, the financial accounts and the balance sheets of Member States. It is based on the UN’s System of National Accounts (SNA) 2008, which is applicable worldwide.
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Stimmen aus Wissenschaft und Politik
No English translation available
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Rupprecht Geiger, 429/65, 1965
A picture by Rupprecht Geiger provokes an immediate response: the force of the colour is well-nigh overpowering. This shade of red, which the artist intersperses time and again with hints of pink or orange, triggers associations of peril and passion.
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Bargeld
No English translation available
Unkommentierte Filmaufnahmen zum Thema "Bargeld". Medien können das Footage-Material (in HD-Auflösung) über die Pressestelle der Deutschen Bundesbank anfordern.
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A coin fit for an emperor The augustalis of Hohenstaufen monarch Frederick II
Frederick II, of the House of Hohenstaufen and King of Sicily, took an extraordinary step when he started minting gold coins in 1231. This is because, for many centuries, the Christian West had been shaped purely by silver currency. Frederick II’s gold coins, called augustales, were something special: the quality of the image and their embossing are unique for their time. Augustales are extraordinary coins minted by an extraordinary ruler.
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Jesús Rafael Soto, Installation in the Entrance Hall in the Central Office, 1972
Mondrian’s later works – The Victory Boogie Woogie – those lights! That is where we see vibration being incorporated into painting for the first time. It seemed to me […] that he was on the verge of bringing a visual motion into the picture
, wrote the Venezuelan artist Jesús Rafael Soto, who lived and worked in Paris. -