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Below you will find brochures with further pieces from our collection.

His pictures and sculptures are the perfect symbiosis of beauty and rationality. Just about every work that Max Bill produced can be deciphered as a verifiable solution to a mathematical problem, without becoming overladen with meaning.

A key aspect of Albrecht Schäfer’s work is his exploration and use of space. His installations are not just stand-alone artworks; they also draw in and on the surrounding area. His “Kronleuchter” [Chandelier], on display in the foyer of the Bundesbank’s branch in Berlin, stretches the length and breadth of two floors.

The relationship between nature and culture plays a key role in Tony Cragg’s work. He wants to create objects ‘that exist neither in nature nor in our functional world’. To this end he uses a wide range of natural and industrially manufactured materials.

A picture by Rupprecht Geiger provokes an immediate response: the force of the colour is well-nigh overpowering. This shade of red, which the artist intersperses time and again with hints of pink or orange, triggers associations of peril and passion.

Even though it was created in 1936, from today’s perspective "Die Sinnende" [The contemplative woman] appears as if the huge dislocations of the following decade were already being depicted in the portrait of this young woman