Here you find related publications on banking supervision for download, regulatory documents and information and recommendations of the Basel Committee on Banking Supervision.

Im Rahmen des TLTRO-III-Programms konnten teilnehmende Geschäftspartner aufgenommene Volumina in vierteljährlichem Rhythmus vollständig oder teilweise freiwillig vorzeitig zurückzahlen. 

The Analytical Credit Datasets (AnaCredit) – German Part is a comprehensive research dataset provided by the Deutsche Bundesbank. It encompasses the German part of the Analytical Credit Datasets (AnaCredit), a detailed statistical credit reporting system within the Eurosystem.

General information

These national public finance statistics contain data on the budgetary developments of central, state and local government, the social security funds and general government according to the definition in the German public finance statistics, which is largely based on transactions booked in the budgets.

on the topic of External sector

The monetary policy strategy of the Eurosystem attaches great importance to monetary developments.

on the topic of sectoral and macroeconomic balance sheets

Statutory basis, implementation provisions, Bundesbank notices and circulars

Anyone wishing to conduct one or more of the banking activities specified in the Banking Act on a commercial scale in Germany requires authorisation from the competent supervisory authority.

Notes on methodology

User certificates can be automatically requested via our e-mail encryption gateway by sending an empty e-mail with the subject GetPublicKey to the respective e-mail address.

The members of the management board and of the administrative or supervisory board as well as key function holders must possess sufficient knowledge, skills and experience, be of good repute and also commit sufficient time to the performance of their duties.

Below you will find brochures with further pieces from our collection.

A key aspect of Albrecht Schäfer’s work is his exploration and use of space. His installations are not just stand-alone artworks; they also draw in and on the surrounding area. His “Kronleuchter” [Chandelier], on display in the foyer of the Bundesbank’s branch in Berlin, stretches the length and breadth of two floors.

There is no mistaking the heads of Horst Antes. Their stark profile and, above all, their schematic stylisation have become the artist’s trademark. They appear in Antes’ paintings as Kopffüssler [Head-and-foot figures] or in public spaces as large-scale steel sculptures.

A picture by Rupprecht Geiger provokes an immediate response: the force of the colour is well-nigh overpowering. This shade of red, which the artist intersperses time and again with hints of pink or orange, triggers associations of peril and passion.

The relationship between nature and culture plays a key role in Tony Cragg’s work. He wants to create objects ‘that exist neither in nature nor in our functional world’. To this end he uses a wide range of natural and industrially manufactured materials.

Alf Lechner’s sculptures are defined by his choice of material – steel. He works virtually exclusively with this material, creating works which often weigh hundreds of kilos. The monumental steel forms are stamped, pressed, broken, cut and rolled into shape during the production process according to his precise specifications.

I dream of a social art, wrote Victor Vasarely as early as 1953 in his “Notes Brutes” [Rough notes]. The crowds, the masses, a multitude of beings, this is the new dimension. See the unlimited space, the truth of structures. Art is the plastic aspect of the community.

His pictures and sculptures are the perfect symbiosis of beauty and rationality. Just about every work that Max Bill produced can be deciphered as a verifiable solution to a mathematical problem, without becoming overladen with meaning.

Karl Otto Götz, the only German member of the international COBRA group, was one of the few artists who attempted to provide theoretical underpinning and gain public attention for the abstract gestural painting of the post-war period.

Even though it was created in 1936, from today’s perspective "Die Sinnende" [The contemplative woman] appears as if the huge dislocations of the following decade were already being depicted in the portrait of this young woman

A young woman with her dog looks out, keenly and slightly provocatively, from the sketched frame of a locket. Clearly based on a photograph, the portrait appears artificial and as from another age, mainly as a result of the distortion of colours.

Here you will find an overview of the publications relating to the coin and banknote collection.

All printed editions of the lectures are out of print. The richly illustrated volumes are available in numerous libraries.

Unter Aktuelles finden Sie Informationen (wie z. B. Änderungen, Neuerungen oder Sonderregelungen) sowie Übersichten zum Dienstleistungsangebot für Bargeldgeschäftspartner.

Veröffentlichungen der Hauptverwaltung in Sachsen und Thüringen.